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我国电影工作者所创作的水墨动画,是我国传统的水墨画和影视技术的巧妙结合,是世界动漫史上的一个经典性艺术创作。它的创作灵感主要来自中国传统的国画创作艺术,将其轻盈灵动、淡然无极、悠远静美的渲染特色以现代化的影视制作手段予以呈现,形成了世界独一无二的动画创作艺术风格,既吸收和借鉴了国外优秀的动画创作技巧,又发挥了中国水墨画的艺术特色。本文以《山水情》为例,对于水墨动画的时空艺术进行了相应的探讨。通过分析,发现水墨画与水墨动画之间是有着一定的继承和连续性的,找到了水墨画的形式与影视语言相结合的点,探索了水墨画与影视两种艺术形态的创新结合点。
Ink-and-ink animation created by Chinese filmmakers is an ingenious combination of traditional Chinese ink-and-wash and video technology and is a classic artistic creation in the history of animation in the world. Its creative inspiration mainly comes from the Chinese traditional Chinese painting creation art, presenting its light and agile, indifferent, distant and beautiful rendering features to modern film and television production means, forming a unique art style of animation creation in the world, which not only absorbs and draws lessons from Excellent foreign animation skills, but also played a Chinese ink painting art features. In this paper, taking “Landscape Love” as an example, this paper makes a corresponding discussion on the space-time art of ink-and-animation. Through the analysis, we find that there is a certain degree of inheritance and continuity between ink painting and ink animation. We have found a combination of ink painting form and film language, and explored the innovative combination of ink painting and film.