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从北宋中期开始一直到南宋灭亡,北方动荡不已,造成了大批北方人口南迁,客观上促成了制瓷技术的传播和交流。当时不仅贵族地主纷纷南逃,而且有很多手工业工人和农民流亡南方,因此使南方的农业、商业、手工业得到较快发展。在大批的南迁流民中,当然也包括不少北方窑工,特别是磁州窑的工匠,白地黑花彩绘瓷本是磁州窑工匠们的首创,他们把磁州窑的彩绘技法带到吉州窑,直接使用永和镇的白土资源生产磁州窑风格的釉下褐彩瓷,这就是吉州窑彩绘瓷器兴起的重要原因。所以,南方各窑场的制瓷技艺得到了极大的发展。吉州窑就是在这南北瓷艺和南北陶瓷文化的相互学习、相互融合、相互碰撞中得到了长足的发展,在仿烧和创烧的发展过程中,形成了自己独特的吉州窑瓷文化艺术魅力。接下来要通过两窑间植物纹样的比较来理解吉州窑对磁州窑的继承与吉州窑的发展与创新。
From the mid-Northern Song Dynasty until the fall of the Southern Song Dynasty, the northern turmoil caused a large number of northern migrants to move southward, which objectively led to the dissemination and exchange of porcelain technology. At that time, not only did the aristocratic landlords go south one after another, but many handicraftsmen and peasants were exiled to the south, so that the agricultural, commercial and handicraft industries in the south enjoyed a rapid development. Of course, a large number of south migrants, including many northern kiln workers, especially Cizhou kiln artisans, white black pottery is the first Cizhou kiln artisans, they Ciyang kiln painting techniques brought to the kiln, The direct use of white clay resources in Yonghe Town, the production of Cizhou style underglaze brown color porcelain, which is the rise of Jizhou kiln painted porcelain important reason. Therefore, the South kiln farm porcelain arts has been a great development. Jizhou kiln is in this North and South porcelain arts and ceramics culture north and south to learn from each other, mutual integration, mutual collision has been considerable development in the imitation of burning and the development of a burning process, formed its own unique Jizhou kiln porcelain culture and the arts charm . Next, through the comparison of plant patterns between the two kilns to understand the Jizhou Kiln kiln inheritance and the development of Jizhou kiln and innovation.