论文部分内容阅读
“不二”手势是《维摩诘经变》中经常出现的一个佛教手印或印相,它由隋唐本土画工所独创,其代表的佛经意思是“真入不二法门”。在佛教传入中土之初,《维摩诘经变》中并没有出现此手印,直到隋唐之际才出现不太标准的“不二”手势,到盛唐才完全成熟。此手势最初的演示者是文殊菩萨,但在中唐以后,不同群体的画工在对经文的理解上出现差异,从而使此手势由文殊和维摩并行演示。发展到五代,画工为了强化维摩作为佛教人物的本体特征而不至于与魏晋高士混同,使得“不二”手势的演示主体逐渐变为维摩,并成为其身份的象征因素之一。
“Fuji ” gesture is a Buddhist fingerprinting or printing often appearing in “Vimalakirti”. It is created by native artists in Sui and Tang Dynasties. The representative of the Sutra means “True or False”. At the beginning of the Buddhism’s introduction into the soil of China, the handprint did not appear in the Vimalakirti Warp. Only after the Sui and Tang dynasties had the not-so-standard gesture of “not uniqueness” appeared and it fully matured until the prosperity of Tang Dynasty. The first presenter of this gesture was Manjushri, but after the middle of Tang dynasty, different groups of painters showed differences in the understanding of the scriptures, so that the gesture was demonstrated by both Manjushri and Vimalakhar. In the fifth generation, painters gradually changed their demonstration body of “Fuji” into Vimao and became one of the symbolic factors of their identity in order to strengthen Vimo as the ontological feature of the Buddhist figure and not mix with Coats of Wei and Jin Dynasty .