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权威指挥家小泽征尔有幸听到华彦钧的《二泉映月》后,震撼不已,竟泪流满面地跪在地上。那是一部亘古久远的中国音乐史的凝练与精华,是中国人黯淡凄怆的遭遇与苦难,是千百年来我们中国人的脊梁与傲骨,承载着无数艺术家用瘦弱的肩膀扛起的民族魂与中国梦。小时候不懂二胡为什么这么让祖父着迷,只是觉得里面好似住了一个精灵,或是天堂鸟之类的美好的东西,散发着一种慑人的吸引力。
Authoritative conductor Seiji Ozawa had the honor to hear Hua Yanjun’s “Er Quan Ying Yue”, shocked, actually went to tears on the ground kneeling. It is a concise and quintessential history of ancient Chinese music. It is a bleak tragedy and misery suffered by the Chinese people. It is the backbone and pride of our Chinese people for thousands of years. They carry the nation that countless thinkers carry with their thin shoulders Soul and Chinese dream. When I was young, I did not understand why Erhu fascinated my grandfather. I just felt that there was something like a fairy or a bird of paradise, exuding a breathtaking appeal.