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在中西方的音乐艺术中,月光这一审美物象,一直被许多中外的优秀音乐家所关注,并以之为题材,写下了大量隽永的艺术作品。但由于中西方文化的差异以及中西方文化自身发展阶段的不同,使得同样是月光这一形象,无论在表现内容上还是在形式风格上都存在着极大的不同。中国音乐中的月光一位西方先哲曾经这样评价中国人的审美方式:“在传统的东方思想中,物理的东西和审美的东西之间,似乎有一条轻松顺畅的通道”。这句话的意思是,在中国传统的审美思想中,外部世界与人内在的世界不是分离的,就像一个统一体的两
In the Western and Chinese musical arts, the aesthetic image of Moonlight has been paid attention to by many outstanding Chinese and foreign musicians. Under the theme of this, a great deal of timeless works of art are written. However, due to the differences between Chinese and Western cultures and the different stages of the development of Chinese and Western cultures, the same image of Moonlight has great differences both in content and style. The moonlight in Chinese music A Western sage once appraised the Chinese aesthetic: “In the traditional oriental thought, there seems to be an easy and smooth path between the physical and the aesthetic.” The meaning of this sentence is that in the traditional Chinese aesthetic thought, the external world is not separated from the inner world, just as the two