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近日,非物质文化遗产粤剧代表性传承人郑培英谈到她在粤剧舞台上取得的成就时,表示要感谢她的恩师—著名粤剧艺术家红线女老师的厚爱与提携:“如果没有红老师的培养,我是没有今天的,我非常感谢红老师。”一郑培英评价说:“红线女艺术既是国宝,又是岭南文化的风标。红老师半个多世纪的艺术实践,几乎与粤剧的鼎盛辉煌,以及坎坷低迷紧紧联系在一起。正如红线女自己撰写的论文指出:‘粤剧要在改革创新中走向进步。’”郑培英指出,上天对于一个演员是何等吝啬!它极少把足够的艺术条件,包
Recently, when Zheng Peiyang, a representative inheritor of the intangible cultural heritage, talked about her achievements in the Cantonese opera stage, she expressed her gratitude to her mentor - the love and fostering of the famous red-line female teacher of a Cantonese opera artist: “Without the training of a teacher I am not today, I am very grateful to Teacher Hong. ”“ Zheng Peiying commented: ”The red line art is both a national treasure and a Linguist for Lingnan culture.“ The art practice of more than half a century by Red teacher is almost identical to that of Cantonese opera Its brilliant splendor and its ups and downs are closely linked with each other.As the Redline’s own thesis states: ’Cantonese opera should make progress in reform and innovation.’ ”Zheng Peiyin pointed out that God is so mean to an actor that it seldom gives enough Art conditions, packages