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中国古典文学典雅含蓄,在诗词中常用意象来委婉表达情感,在他们那里,花有生命,草有灵魂,一山一水都浸润着诗人的感情。刘勰在《文心雕龙·物色》中曾这样说:“写气图貌,既随物以宛转;属采附声,亦与心而徘徊。”文学创作就是要通过“物色(即作品中的形象)”来表达“声”“心”(亦即作品的情感)。在诗歌鉴赏中,读者要真正走入诗歌所创设的意境,还原那些象外之意,体味诗人蕴含其中的浓烈情感。诗歌中的形象既可以是作品中所展示的生
Classical Chinese literature is elegant and subtle. Commonly used images in poetry express euphemisms emotionally. In them, there is life, grass and soul, and mountains and waters all infiltrate the poet’s feelings. Liu Yong said in Wen Xin Diao Long Shouchu: “Writing a picture, not only with the object to Wan transfer; is attached to the voice, but also with the heart and wandering. ” Literary creation is through That is, the image in the work) “to express ” sound “” heart "(that is, works of emotion). In the appreciation of poetry, readers should really enter into the artistic conception created by the poetry, and restore the meaning of the extra-curricular meaning. The poet understands the strong emotions contained therein. The image in poetry can be either the life shown in the work