《洛迦诺的女丐》中想象的越界

• 作 者: 张珊珊
• 机 构: 中国政法大学外国语学院德语系,
• 出 处: 德语人文研究
• 发表日期: 2016年01期
• 关键词: 洛迦诺 克莱斯特 想象力 城堡 认识过程 意象 乞丐 文本 断层 惊恐万分

《洛迦诺的女丐》中,侯爵三次查验城堡的楼上的房间中到底是否有鬼。在他对鬼魂的认识过程中,想象担当了重要的桥梁作用,暂时弥合了感知与概念之间的断层。最终,狗作为媒介使得鬼魂显形,鬼魂变得可见,由此,其想象的意象闯入现实,侯爵因此走向疯癫。想象越界的这一刻也是文本中的秩序彻底翻转的重要时间点。

In “The Beggar of Locarno”, the Marquis examined the castle’s upstairs room three times in the end whether it was a ghost. In his understanding of the ghost, imagination plays an important bridging role, temporarily bridging the gap between perception and concept. Eventually, the dog as a medium makes the ghost visible and the ghost becomes visible, whereby the imagery of his imagination breaks into reality and the Marquis goes mad. This moment of imagining an out-of-bounds is also an important point in time when the order in the text is completely overturned.