书法美学研究的正当性与当代书法美学问题

• 作 者: 姜寿田
• 机 构: 《书法导报》,
• 出 处: 中国书法
• 发表日期: 2017年21期
• 关键词: 书法美学 当代书法 西方美学 叔本华 康德哲学 美学问题 美学理论 近现代文化 审美理论 境界说

清末民初,随着中国社会近现代文化转型,西方美学被引入中国。第一个对西方美学进行深入研究的是王国维。他在将叔本华、康德哲学输入本土的同时,也依据西方美学学科范畴与美学理念,结合中国古典美学作出了有意义的探讨。如他提出的境界说、优美、壮美、有我之境、无我之境等审美理论,便是融合康德、叔本华崇高、优美美学理论的崭新开拓,

At the end of the Qing Dynasty and the beginning of the Republic of China, western aesthetics was introduced into China with the transformation of modern Chinese society. The first in-depth study of western aesthetics is Wang Guowei. While he put Schopenhauer and Kant philosophy into their own homeland, he also made a meaningful discussion based on the category of western aesthetics and the concept of aesthetics combined with the classical Chinese aesthetics. As his realm states, aesthetic theories such as beautiful, magnificent, my own, and my own absence are the new exploits of Kant and Schopenhauer’s noble and beautiful aesthetic theory,