尚扬:理想很丰满,现实很骨感

• 作 者: 本刊编辑部 张瑜洋
• 出 处: 东方艺术
• 发表日期: 2014年03期
• 关键词: 救护车 工作室

出生于20世纪40年代的艺术家尚扬,在80年代,就凭借着《黄河船夫》等一系列黄土地题材的作品而享誉中国美术界,同时那种大面积出现在他作品中的黄褐色调,也让“尚扬黄”成为了一个时代鲜明的绘画记忆。在之后的创作中,尚扬并未固守在“伤痕美术”的乡土感怀和怀旧思绪中,而是在回溯传统的思辩中,不断地从形式上寻求变化,并创作出《大风景》、《诊断》、《董其昌计划》等作品,以综合材料的不同质感丰富着绘画的固有的平面属性。

Born in the 1940s, Shang Yang, an artist renowned for the Chinese art scene with a series of yellow land themes such as “The Yellow River Boatman” in the 1980s, at the same time has a large yellowish-brown color in his works , But also let “Shang Yang Huang ” has become a distinct era of painting memory. In his later works, Shang Yang did not stick to his native feelings and nostalgia thoughts in Scar Art, but instead traced back to the traditional way of thinking and constantly sought for change in form and created a “grand landscape” , “Diagnosis”, “Dong Qichang Plan” and other works, enriching the inherent planar properties of painting with different texture of integrated materials.