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辽宁作为东北老工业基地,经济文化处于相对封闭的状态,受此影响,辽宁当代具象绘画艺术在发展上一直处于比较稳定的环境。“85思潮”以前,辽宁写实绘画既没有随着国内新潮美术运动而风起云涌,又没有过度地自我表现、情感宣泄,而是稳定地、持续地按照自己的发展轨迹稳步提升。从整体上看,辽宁具象绘画的发展没有经过大起大落,在探索上没有暴风骤雨,而是在逐步强化深入地进步。从传承的角度说,稳健发展本身不是什么缺点,但是如果受
As an old northeast industrial base, Liaoning enjoys a relatively closed economy and culture. Under the influence of this, Liaoning’s contemporary figurative art has always been in a relatively stable environment. In the past, Liaoning realistic painting neither surged along with the trendy art movement in China, nor showed excessive self-expression and emotional catharsis, but steadily and steadily increased according to its own development trajectory. On the whole, there has been no ups and downs in the development of figurative painting in Liaoning. There is no violent and violent exploration in Liaoning. Instead, it has gradually intensified and deepened its progress. From a heritage point of view, sound development itself is not a disadvantage, but if so