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在想像中,作为传统戏曲乃至中国传统艺术最高典范之一的昆曲艺术是以清雅足韵之美静处一隅的,似乎难以与现实生活发生直接的对话,而近来几部传统改编戏或新编戏的上演却提供了许多可资讨论的话题。无论是《十五贯》在建国后五十年间的持续被关注,还是“青春版”《牡丹亭》带动的昆曲新热潮,又或是《琵琶记》对“人民性”理论内涵的充实,和《宦门子弟错立身》
In imagination, the art of Kunqu opera, one of the highest standards of traditional Chinese opera and even traditional Chinese art, is quietly placed in the beauty of pure and elegant rhyme. It seems that it is difficult to have a direct dialogue with the real life. Recently, The performance has provided many topics that can be discussed. Whether it is the continuous concern of the “Fifteenth Rank” in the 50 years after the founding of the People’s Republic of China or the new genre of Kunqu Opera driven by the “Youth Version” and the “Peony Pavilion”, or the enrichment of “Pietu” And “mistakes children out of business”