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打击乐在戏曲艺术中有着特殊的地位与作用,与表演形式、表演方法有着血与肉的密切关系,戏曲表演形式的特点体现在唱、念、做、打、舞这五个方面,这五种表现手段都离不开戏曲打击乐的辅助、甚至是带动指挥。必须承认的是戏曲打击乐是戏曲的灵魂。在节奏变化上,它极其丰富多彩、在乐器组合上它有相当精密完整的组织方法。我认为戏曲舞台的锣鼓运用应恰到好处,不宜过多。戏曲打击乐的继承和研究,对于戏曲的革新与发展有着较深远的意义。
Percussion has a special status and role in the art of opera, has a close relationship with the performance style and the performance method, and the performance characteristics of the opera are embodied in the following five aspects: singing, reading, doing, playing and dancing The means of expression are inseparable from the opera percussion aids, and even lead the command. It must be admitted that opera percussion is the soul of opera. It is extremely colorful in terms of tempo change, and it has a fairly sophisticated and well-organized approach to musical instruments. I think the gongs and drums used on the opera stage should be just right and should not be too much. The inheritance and study of the opera percussion have a far-reaching significance for the innovation and development of the opera.