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秦腔脸谱是秦腔舞台艺术不可缺少的组成部分,它采用生动的线描和平涂,刻画出剧中人物的不同性格特征。其内容丰富,富有鲜明的地方色彩和浓郁的生活气息,还具有高度的概括性和装饰性。从文物资料上来看,脸潜艺术的形成,开始是戴在脸上的面具(始于古代打仗跳神舞蹈用的面具)。后来为了行动方便,动作不受影响、就直接画在脸上,此即脸谱艺术的开始。当然最初还较为简单,形象也不够完美。大致根据剧中人物的性格特征和肤色,予以夸张,寓褒贬别善恶,见气质于图案,寄爱憎于
Qin Lu Facial Mask is an indispensable part of the Qin stage art, which uses a vivid line drawing and flat coating, depicting the character of the different personality traits. Its rich content, rich distinctive local colors and rich flavor of life, but also a high degree of generality and decorative. From the perspective of cultural relics, the formation of facial art began as a mask worn on the face (mask used in ancient war dance). Later, in order to facilitate the movement, the movement is not affected, it directly painted on the face, that is, the beginning of facial art. Of course, the initial is still relatively simple, the image is not perfect. Generally based on the characters and color of the characters in the play, to be exaggerated, flat praise goodbye goodbye, see temperament in the pattern, send love and hate