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民族音乐学的从业者就像是一群在热闹的讨论中前行的人,他们善待彼此间的新奇理论及实践,在这样热闹而不吵闹的过程中达成一种彼此的默契,他们的宽容甚至可以容纳得下最为新奇甚至离奇的想法。带着对这个“特殊”人群的好奇的目光,作为一个局外人,我开始越来越多地关注到这一群体。民族音乐学之所以能够吸引我的关注,无非是因为他们能够在方法论上不断反思、相互理解;他们关注如何将音乐的研究与民族学、人类学等学科相关联;长久以来一直认为学好“四大件”走遍天下都不怕的观点甚至都不得
Practitioners of ethnomusicology are like a group of forward-thinking people who treat novel theory and practice among themselves and reach out to each other in such a lively and noisy way that their tolerance or even Can accommodate the most novel and even bizarre ideas. With a curious look at this “special” crowd, I started to pay more and more attention to this group as an outsider. The reason why ethnomusicology is able to attract my attention is not only because they can constantly reflect and understand each other in methodology. They are concerned about how to link the study of music with ethnology and anthropology. For a long time, Four pieces "All over the world not even afraid of the point of view