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传统水墨是中国画中最具民族特色的艺术语言,从儒家“文以载道”“天人合一”思想出发,高度概括了中国儒道互补的哲学精神。传统水墨伴随着中国画发展,从古典走向现代,中国画的发展之路,可以说就是传统水墨的延展之迹,中国画中的传统水墨因素具有不可替代的民族审美和哲学思辨的特性。20世纪初受西方文艺思潮的冲击,以齐白石、黄宾虹为代表的画家坚持传统,借古开今,承续了中国画中水墨审美的传统;同时,以徐悲鸿、林风眠为代
Traditional Chinese ink painting is the most nationally-distinctive artistic language in Chinese painting. Starting from the Confucianism of “writing in harmony with the unity of man and nature”, the traditional ink and wash ink highly expounds the philosophical spirit of complementarity between Confucianism and Taoism in China. With the development of traditional Chinese painting, the traditional ink painting goes from the classical to the modern and the development of Chinese painting can be said to be the trace of the traditional ink painting. The traditional ink painting factors in Chinese painting have irreplaceable characteristics of national aesthetic and philosophical thinking. At the beginning of the 20th century, under the impact of Western literary and artistic trends, the painters represented by Qi Baishi and Huang Binhong persisted in tradition and borrowed ancient ideas, inheriting the tradition of Chinese ink and wash aesthetics. At the same time, taking Xu Beihong and Lin Fengmian as substitutes