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舞台设计先天具有两种品性:限制与创意。它不像画家的创作过程那样自由、广阔,几乎没有什么限制:舞台美术创作要受到诸多因素的限制和制约,这种限制不仅给设计规定了范围,也提供了可能。舞台设计的创意是在限制之中的创意,创意一方面要遵循限制的制约,另一方面也要突破其限制,开辟新的天空。从传统意义上讲,舞台设计是作为戏剧有机的组成部分而存在的,它具有对戏剧的“从属性”的特点,同编、导、演等艺术门类相互依存、相互推动,是一种相辅相成的关系。一定意义上舞台设计的创
Stage design inherently has two qualities: limitations and creativity. It is not as free and vast as the painter’s creation process, with almost no restrictions: the stage art creation is subject to many factors and restrictions, this limitation not only provides the scope of the design, but also provides the possibility. The idea of stage design is limited in creativity, creative constraints to be followed on the one hand to follow, on the other hand have to break its limitations and open up a new sky. Traditionally, the stage design exists as an organic part of the drama. It has the characteristics of the “subordination” of the drama, and is interdependent and mutually advancing with the art genres such as compilation, Relationship. A sense of the stage design of the record