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眼下中国艺术市场这次高潮始于2008年世界经济危机殆尽之后的2009年末,尽管没有具备所谓“经济缓冲带”理论所描述的特性,但这次危机之后的高潮还是在客观上拯救了不少四处乱串且恐慌不已的资金流,于是2010年伊始,中国艺术市场以“亿元时代”的高调姿态,正式开始了资本化进程的脚步,在整个经济形势通货膨胀压力,被大肆鼓吹的“全民投资时代”的风潮,更是将无数“现金恐慌者”拱手送入到中国艺术品市场投资热潮中来。这就是有市场人士认为的“2011年艺术品市场中投资者与收藏者比例已然达到9:1这样极端比例”的原因。
Right now, the climax in the Chinese art market started in late 2009 after the world economic crisis was exhausted in 2008, and the climax after the crisis was objectively rescued despite the fact that it did not have the characteristics described in the so-called “economic buffer zone” theory A lot of chaos and panic flow of funds everywhere, so the beginning of 2010, the Chinese art market to “billion era ” high profile, officially began the pace of capitalization process, the entire economic situation, the inflationary pressure was The trend of “universal investment era” that is widely advertised is to pour countless “cash panners” into the upsurge of investment in the Chinese art market. This is why some market participants think “the ratio of investors to collectors in the art market in 2011 has reached an extreme ratio of 9: 1”.