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在我国历史上,文人画主要是一些有学问、才情、品格高逸的文人雅士用来陶冶情操的一种高雅艺术。清代文人画是中国文人画传统的延续,以其创作主体的文化心、责任心复合绘画心,构成了一个完整的文人画体系。日本文人画的兴起归于德州幕府提倡儒学,汉学兴盛决定了在相当广泛的社会阶层中兴起尊崇中国文化的热潮。从江户时代(1603～1867)中期开始,来自中国的文人画占据了日本画坛,日本文人画因潜心中国文人画而成为日本绘画史过去所无的新流派[1]。作为一种“舶来品”的日本文人画虽然在时间上
In the history of our country, literati painting is mainly a kind of elegant art used by the literati who are knowledgeable, talented and noble in character to cultivate their sentiments. The literati painting of the Qing Dynasty is a continuation of the tradition of Chinese literati painting. With the heart of painting and sense of responsibility as the main body of its creation, it constitutes a complete literati painting system. The rise of Japanese literati painting attributed to the promotion of Confucianism by the Texas shogunate. The rise of Sinology has determined the upsurge of respected Chinese culture in a fairly wide range of social strata. Beginning from the middle of the Edo period (1603-1867), literati paintings from China dominated the Japanese art scene, and the Japanese literati paintings became new genres in Japan’s history of painting due to their devotion to Chinese literati painting [1]. Japanese scholar painting as a kind of “exotic” though in time