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新中国成立以后,在戏曲改革政策和“百花齐放,推陈出新”戏曲方针的指导下,昆曲的生命随着中国戏曲的改革初步复苏。由于昆曲自身的力量还很弱小,其社会价值没有得到当地政府关注,而且昆曲没有在有限的几次地方戏曲汇演中公开展示,也没有积极响应戏曲改革政策而进行戏曲思想内涵方面的改革,所以并未引起人们的普遍关注。直到1956年4月,在昆曲艺人尤其是政府力量的推动下,浙江昆剧团演出的《十五贯》以“丰富
After the founding of New China, under the guidance of the drama reform policy and the opera policy of ”letting a hundred flowers blossom and new out“, the life of Kunqu Opera started to revive with the reform of Chinese opera. Since Kunqu Opera itself was weak and its social value was not paid much attention by the local government, Kunqu Opera did not publicly display it in a limited number of local operas, nor did it actively reform the connotation of the drama in response to the policy of the opera reform. Did not arouse the widespread concern of people. Until April 1956, Kunqu Opera artists, especially the promotion of government forces, the Zhejiang Kun Opera Troupe performed ”fifteen consistent“ to ”enrich