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倪萍在荧屏的知名度家喻户晓,但是知道她画画的人并不多,即便知道的人也多认为是“玩票”而已。京剧、国画这些国粹都是高度程式化了的文化符号,京剧的“玩票”指的是对京剧程式的模仿,当然层次不高。可是说到倪萍,知其人、观其画,才觉得她画画远不是“玩票”那么简单。几乎每个人的童年,都有一个绮丽绘画梦,那是人类最初拥抱多彩世界的愿望表达,倪萍也是如此。她从小喜欢画画,从她的叙述中,我们想象得出那个用树枝在姥姥的灶台上画小
Ni Ping is well-known in the screen of the well-known, but she did not know many people who draw, even if many people know that it is “play tickets ” only. Peking Opera, Chinese painting these quintessence are highly stylized cultural symbols, Peking Opera “play ticket ” refers to the imitation of the Beijing Opera program, of course, the level is not high. However, when it comes to Ni Ping, know others, view the painting, I just think she is far from painting “play ticket ” so simple. Almost everyone’s childhood, there is a beautiful dream of painting, it is the first human desire to embrace the colorful world expression, Ni Ping is also true. She liked to draw from an early age. From her narration, we imagined that we could draw a small one with a branch on the grandma’s hearth