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明代宫廷画家吕纪,继承传统,融会出新,自成一格,成为那个时代院体花鸟画领域的代表人物。他年少时研习明永乐、宣德年间宫廷画家边景昭的花鸟画,获同邑名人袁忠彻的赏识,并被聘至其家中,得以广临唐宋以来名迹,画艺大进;后又受到宫廷画家林良的影响,直入水墨堂奥。同乡李堂称其画:“风神清雅,留心藻绘,或缀以诗。专攻翎毛,亦间作山水、人物。励志唐宋以来名笔,兼集众长”(《堇山文集》)。他笔下的花鸟,以工笔重彩见长,勾勒精细,设色富丽,法度严谨。他亦擅长水墨写意,挥洒点染,遒劲奔放。他善于将工笔与写意相融合,从而突破前人束缚,
In the Ming Dynasty, the court painter Lü Ji inherited the tradition and became a new personality. He became a representative of the flower-and-bird painting field in that era. When he was young, he studied Ming Yongle and the court painter Bian Jingzhao in the Xuande years. He was admired by Yuan Tongcheon, a famous painter of Tongyi, and was hired to his home to widen his name since the Tang and Song dynasties. His painting was performed by court painters Lin Liang’s influence, straight into the ink hall Austrian. Xiang Tong Li Tang said his paintings: "Fengshen elegant, pay attention to the algae painted, or decorated with poetry. Focus on feather, but also for landscapes, figures. Since the inspirational Tang and Song, . The flowers and birds in his works are distinguished by their meticulousness and meticulousness. He is also good at ink freehand, polish, dashing. He is good at the combination of fine brushwork and freehand brushwork, thus breaking the shackles of his predecessors,