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众所周知,古典舞蹈是整个戏曲舞蹈的法院,也从一个层面上代表了中国舞蹈传统从根本上的复兴。显而易见,我们可以这么理解,就审美原则来说,五代舞蹈不是创新出来,这是一种文化的延伸和流传。从这个角度出发,我们进一步深入去探讨这个常常的历史时代,从长线来说,这些系统性的原则都是比较明显的。纵观我国的历史,汉魏时代曾经出现过舞戏的概念,而从原生地来说就是一个非常新的艺术种类,总而言之,这是个非常地道的中国诞生的产品。
As we all know, the classical dance is the court of the entire opera dance, but also on one level represents the fundamental rejuvenation of the Chinese dance tradition. Obviously, we can understand that in terms of aesthetic principles, the Five Dynasties dances are not innovative, and this is an extension and spread of culture. From this perspective, we go further and explore this common historical era. In the long run, these systematic principles are more obvious. Throughout the history of our country, the concept of dance was once appeared in the Han and Wei Dynasties and it was a very new art genre natively. All in all, this is a very authentic product of the birth of China.