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美国故事片《第一滴血》在国内上映后,人们颇多指责。其中有些意见切中肯綮,足以发人深省。这里,我不想就影片本身再说什么,而只想就外国影片的“进口”中暴露出来的问题谈两点看法。 第一,怎样把关?把什么关? 毫无疑问,电影作为一种精神产品,作为社会意识形态的一种外化形式,是带有政治倾向性和阶级功利性的(尽管有人力图否认,但作为艺术上的客观规律和客观存在,它是抹煞不了的)。因此,在“进口”外国影片时,有关文化领导部门需要“把关”,这本在情理之中,任何有头脑,通事理的人,均不会对此有甚异议。现在的问题是:怎样把关?把什么关?应该
American feature film “First Blood” released in the country, many people accused. Some of these opinions are correct and can be thought-provoking. Here, I do not want to say anything about the film itself, but I just want to talk about the issues exposed in the “import” of foreign films. There is no doubt that the film, as a spiritual product, as a form of externalization of social ideology, is politically oriented and class utilitarian (though one attempts to deny it, But as an objective law of art and objective existence, it can not be eclipsed). Therefore, in the case of “importing” foreign films, the relevant cultural leadership departments need to “check”. This is not the reason, and no sane person will make any disagreement about this. The question now is: what should we do?