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李燕艺术简历中央文史研究馆馆员,清华大学教授,李苦禅纪念馆副馆长,中国和平统一促进会理事,九三学社中央文化委员会委员,九三学社中央书画院艺术顾问,中国国家画院研究员。李燕先生1943年生于北京,字壮北,自幼在其父亲李苦禅大师教导下敬祖爱国,嗜好国学文艺。1958年考入中央美术学院附中,继而升入美院中国画系,专习绘画长达八年。在北京荣宝斋编辑科工作多年,后调人中央工艺美术学院任教。其书画远避指端末技之形式主义的幻术,而以大自然天趣合大中华人文内涵形于笔墨,最擅长写意动物与人物。以钩沉补缺之旨作论文,以针贬时弊之旨作杂文,亦时有诗、赋随缘即出,刊诸
Li Yan Art resume Librarian of the Central Museum of Chinese History, Professor of Tsinghua University, Deputy Director of Li Kuchan Memorial Hall, Director of China Association for the Promotion of Peaceful Reunification, Member of the Central Culture Committee of Jiusan Society, Art Consultant of the Central Academy of Fine Arts of Jiu San Society, and Researcher of the Chinese National Academy of Painting. Mr. Li Yan was born in Beijing in 1943 with a strong Zhuang language. Since his childhood, Master Li Kuchan taught his ancestral patriotism and became interested in Chinese literature and art. In 1958 admitted to the Central Academy of Fine Arts in the middle school, and then promoted to the Academy of Fine Arts in China, specializing in painting for up to eight years. In Beijing Rong Baozhai editing division for many years, later transferred to the Central Academy of Arts and Design. His painting and calligraphy are far from the formalist illusion of the end of the art, but the content of Chinese culture connotes in the pen and ink by nature, but best at freehand animals and characters. To make up for the deficiency of the purpose of making a thesis to pinpoint the shortcomings of essay, poetry from time to time, funerary out, Journal