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素描的语言形式于绘画而言,自文艺复兴以来,它一直是以再现、模仿客观物象这样的“表情”方式出现在视觉领域里,而大众对于素描的“观看”也一直滞留在“素描基础论”的绘画语境中。从唯物辩证的理论来看,任何一种视觉语言形式,体现自身个性的同时,也不可避免地出现了它自身的不足。写实、再现、严谨的素描语言形式,是传统的素描语言形式体系,是对自然规律的研究,是绘画形
Since the Renaissance, the language form of sketches has always appeared in the field of visualization in the form of “expression ” which reproduces and imitates objective objects, and the public has been stubborn about the “viewing” of sketches In the context of drawing in Sketch Theory. From the perspective of materialist dialectics, any visual language form that embodies its own personality inevitably has its own shortcomings. Realism, reproduction, rigorous sketch language form, is a traditional form of language system of sketches, is the study of natural law, is the painting