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四、创造之路事实上一个人的故事所含有的“悲欢离合”的种种细节,任何文字都无法传神地穷尽,尤其对于总不甘平庸、总想出人头地的艺术家来说。一个作家在他的一生中,痛苦与不平,远远要多于他创造时的喜悦。陈自强二十岁未出头即萌志学写作,他曾为写一个独幕剧在一个星期中晚晚写到深夜[1]。此事被人作为事例举出,显然在知情者眼中带有感动的味道。陈氏二十岁(1953年)从“永光明”转为广州粤剧工作团演员,
Fourth, the road to creation In fact, a person’s story contains all the details of the “joys and sorrows”, any text can not expressly exhausted, especially for the total unwilling mediocrity, always come to the forefront of the artist. A writer in his life, pain and injustice, far more than the joy of his creation. At the age of twenty, Chen Ziqiang did not succeed in his early career as a writer of voluptuous writing. He wrote a late-night middle night for writing a one-act play [1]. This matter was cited as an example, apparently in the eyes of the insiders with touched taste. Chen twenty years old (1953) from “Yong Guangming ” to Guangzhou Cantonese opera delegation,