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一中远山水盆景布局,是一种介于高远与平远之间的构图方式。其以中景为主体,远景为呼应,强调整体的协调,而非一味追求盆石的姿态奇异。它既可反映高山大川,也可表现岭脉逶迤。尤以刻画江南山水风情最为适宜。石法处理多用披麻皴,以反映当地山形特点及加强山石的质感。目前,苏南一带特别是无锡地区的山水盆景布局上用此法渐多。二江南山水,天真幽淡,明净清新,非有心之人,其生动之气韵,难以管窥一斑。北宋文豪欧阳修曾说过:“萧条淡泊,难画之意,画者得之,览者未必识也。”盆景创作此题材,也意与此
A bonsai landscape layout, is a composition between lofty and far away from the composition. Its medium-sized as the main, long-term echoes, emphasizing the overall coordination, rather than blindly pursuing the strange attitude of potted stone. It can reflect the mountains and rivers, but also the performance of ridge 逶 迤. In particular, Jiangnan landscape depicting the most appropriate style. Stone method to deal with the use of plexiglass, to reflect the characteristics of the local Yamagata and strengthen the texture of rocks. At present, the area of southern Jiangsu especially in the bonsai landscape layout with this method more. Two Jiangnan landscapes, innocent dull, bright and clean, non-devoted people, its vivid charm, it is difficult to glimpse. Northern Song Dynasty writer Ouyang Xiu once said: “depression indifferent, difficult to paint the meaning of the artist, the viewer may not know also.” Bonsai creation of this theme, but also with this