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宋代时期中国的传统雕塑艺术开始走下坡路了,总体呈现出式微迹象,但也取得了一些重要成就。由于理学的大兴,社会上佛家的地位和影响都大大亚于前代,人们更多地去关注现世生活,这也使得佛教造像的理想性和神圣性降低,反渐渐受到世俗化的影响,以亲切平凡为特点。佛教造像经南北朝外国人的形象,到唐代时已能表现出中国人的普遍特征,但还没有表现出具体中国人的个性特征。宋代时雕塑艺术深入到这一层面,如大足石窟的菩萨,灵岩寺的罗汉像,晋祠中的侍女像,它们不仅是现实
The traditional sculpture art of China started to decline in the Song Dynasty, showing a slight sign of the whole. However, some important achievements have also been made. Due to the great prosperity of Neo-Confucianism, the status and influence of Buddhism in society are much less than that of the previous generation, and people pay more attention to the life in the world. This also makes the ideals and sacredness of Buddhist statues lower and is gradually affected by the secularization. To cordial and ordinary features. Buddhist statues, as foreigners in the Northern and Southern Dynasties, have shown the general characteristics of Chinese people by the Tang Dynasty, but have not shown the specific characteristics of Chinese people. When the Song Dynasty sculpture art went deep into this level, such as the Buddha of the Dazu Grottoes, the Lohan figure of the Lingyan Temple and the maid figure in the Jinci, they are not only the reality