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虽然早在17世纪,欧洲已有“室内协奏曲”(Concerti dacamera)的称谓,但那时的“室内”的概念是相对于“教 堂”而言的。那时有“教堂协奏曲”(Concerti da Chiesa)是在教堂中演出的;而在世俗场合演出的则就是“室内协奏曲”了。因此那时的“室内”概念与现今的室内乐概念并不相同。事实上,以今天的标准来看,巴罗克时代的音乐几乎都是室内性的,因为音乐会大乐队的形成是在18世纪以后的事了。近代室内乐概念的定位是在古典主义时期确立的,而且对室内乐的编制形式也作了规范,如
Although the name “Concerti dacamera” already existed in Europe as early as the 17th century, the concept of “interior” at that time was relative to “the church.” At that time, “Concerti da Chiesa” was performed in the church, while in the secular occasion it was “Chamber Concerto.” So the concept of “interior” at that time was not the same as the concept of chamber music today. In fact, by today’s standards, Baroque music is almost sex-indoors, as concert bands are formed after the 18th century. The positioning of the concept of modern chamber music was established in the period of classicism, but also regulated the form of chamber music,