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电子技术与影像技艺的进步,使数字狂欢变成了现实。动漫的影像传播以其直观与想象的双重优势参与了国家想象共同体的建构。2010年,中国以385部国产动画片的数量取代日本,成为世界第一动漫生产大国。动漫作品作为对外传播和交流的新载体,表现出了旺盛的成长力。通过对《EVA》与《喜羊羊与灰太狼》两部作品文化谱系的解析,了解动漫影像在构建国家想象共同体时的特征。从产业拓展与价值愿景两个维度寻求文化自觉与国家形象传达的路径。
Advances in electronic technology and video technology have made digital carnival a reality. Animation video transmission with its dual advantages of visual and imaginative participation in the construction of national imagination community. In 2010, China replaced Japan with the number of 385 domestic animation films and became the world’s number one animation production nation. Animation works as a new carrier of external communication and exchange, demonstrated strong growth force. Through the analysis of the cultural pedigrees of “EVA” and “Pleasant Goat and Big Big Wolf”, we can understand the characteristics of animation images in constructing national imagination community. Seeking Culturally Consciousness and National Image Communication from Two Dimensions of Industrial Development and Value Vision.