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中国现代书衣的设计装帧,与“五四”新文学的兴起同步,并逐渐形成一门独立的艺术。希望爱书之人能从书衣中看中国书籍装帧艺术百年来的潮起潮落,体味名家智慧,回望时代变迁。⊙鲁迅:中国现代书籍装帧的开拓者这是鲁迅1923年为自己小说集《呐喊》设计的。暗红色的书面纸,仿佛是血迹的隐喻。黑底白字,字的四周是细细的白线框子。镂空、阴文形式,外加细线框装饰效果,似乎是中国传统文化意象中的
The design and installation of modern Chinese clothing are synchronized with the rise of new literature in the May Fourth Movement and gradually form an independent art. I hope people who love books can see the ebb and flow of Chinese book binding art for centuries from the book garments, appreciate the wisdom of famous masters and look back to the changes of the times. ⊙ Lu Xun: pioneer of Chinese modern book binding. This was designed by Lu Xun in 1923 for his novel “Cry.” Dark red paper, as if metaphor of blood. White on black, the words around the thin white frame. Hollow, Engraved form, plus fine wireframe decorative effect, it seems that the image of China’s traditional culture