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从卫生间的马桶到宾馆的双人床,很多人把这些匆匆一瞥的影像就当作一种摄影或者说艺术。艺术家不在乎摄影,他们只在乎想象;纪实摄影师不在乎摄影,他们只在乎立场,做观念的不在乎摄影,摄影只是一种载体,而搞数码的就更不在乎摄影了,他们玩的就是感觉。那么谁还在乎摄影？摄影是否被彻底死亡？逃脱不了技术的干系,摄影在观念上的进步,从来就是和技术的发展息息相关的。在照相印刷术诞生的早期,少有报纸愿意采用这种先进的技术,而仍然使用雕版的方
From the toilet in the bathroom to the double bed in the hotel, many people treat these hurriedly glimpsed images as a form of photography or art. The artists do not care about photography. They only care about imagination. Documentary photographers do not care about photography. They only care about their positions. They do not care about photography. Photography is just a kind of carrier. Digital photography does not care about photography any more. They play is feeling. So who cares about photography? Is photography completely dead? Can not escape the relationship between technology, photography in the concept of progress, and technology has always been closely related to the development. In the early days of photolithography, few newspapers were willing to adopt this advanced technology while still using the engraving side