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英国故事片《第三个人》非常讲究画面的整洁。照理说,象这类涉及凶杀的影片,总难免会出现一些血淋淋镜头。但是,这部影片却始终没有出现那种刺激感官的场面。制作者巧妙地廻避凶杀之类镜头的手法是颇具匠心的。例如,当看门人因泄漏了车祸现场还有第三个人的消息时,被黑帮们暗杀了。这时,银幕上的光线极为暗淡,两个人抬着蒙上布的担架从大楼里走出来。正当观众和马丁一样,伸过头准备看个清楚,突然,看门人的孩子认出了马丁,吓得他赶紧拉住安娜拔腿就逃。这样,不仅显得异峰突起,情节跌宕,而且巧妙地把观众的视线从
British feature film “third person” is very particular about the cleanliness of the screen. It is reasonable to say that such homicides involved in such films, there will inevitably be some bloody shots. However, this film has never seen that kind of sensory scenes. Producers cleverly avoid homicide shots like the technique is quite ingenuity. For example, assassins assassinated when gatekeepers had a third person on the scene of a car accident. At this moment, the light on the screen was extremely dim, and two people came out of the building with the cloth covered stretcher. As the legitimate audience and Martin, stretched out his head ready to see clearly, suddenly, the janitor’s child recognized Martin, scared he quickly pulled Anna escape. In this way, not only appears to be different peaks, the plot ups and downs, and cleverly the audience’s attention from