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“风骨”是《文心》中的一个重要理论范畴。本文在广泛参阅前人研究成果的基础上，结合《文心》的理论体系，从艺术思维的角度对其“风骨论”提出一己之见。认为刘鑫的“骨”实指凝结在作品中的艺术思维所达到的一种表达效果或力量；由于刘勰的“杂文学”观念的作用，“骨”尤指艺术思维中的理性因素所达到的一种表达效果或力量。由此出发，文章还以新的视点探讨了刘勰风骨论的理论价值。
“Fengjian” is an important theoretical category in “Wen Xin”. On the basis of extensively reviewing the previous research results and combining with the theoretical system of “Wen Xin”, this article puts forward his own views on the “style of character” from the perspective of artistic thinking. It is believed that Liu Xin’s “bone” refers to an expression effect or strength which condenses in the artistic thinking in his works. Due to Liu Xie’s concept of “miscellaneous literature”, “bone” especially refers to the rational factor in artistic thinking A kind of expression effect or strength. Starting from this, the article also explores the theoretical value of Liu Xie’s theory of character and style with a new perspective.