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本文提出四个要点 :一、《文赋》非赋“文学作品” ,而是赋“文学创作”。二、此赋所写 ,尤以文学创作的心灵心理活动为重点 ,即“作文”、“属文”之“用心”。三、此“用心”之心 ,虽“滂沛乎寸心” ,却又分出“情”、“志”、“思”、“意”四大层次 ,包括人的心灵情志与理智两大方面的精神活动。四、“情”、“志”有先天秉赋本能与后天受识与修养 ,并非单一的事情。西晋时中国文学理论的发展已到很高深的阶段 ,以大历史目光视之 ,其所造诣实已具“现代”意义的文艺心理学的丰富内涵。
This paper presents four points: First, “Wen Fu” non-Fu “literary works”, but rather “literary creation.” Second, the Fu wrote, especially literary psychic activity as the focus, that is, “composition”, “genre” of “intentions.” Third, the heart of this “intentions”, although “滂 Peifu inch inch heart”, but separated “love”, “Chi”, “thinking”, “meaning” four levels, including the human mind and emotional intelligence In the area of mental activity. Fourth, “love”, “Chi” inherent innate talent acquired and acquired and cultivated, not a single thing. The development of Chinese literary theory in the Western Jin Dynasty has reached a very advanced stage. With the great historical vision, the rich connotations of literary psychology that it has made so far as “modern” have come into being.