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近四十年来,粤剧唱曲发展了不同唱法的若干唱腔,如梆子的有:反线、芙蓉、减字芙蓉、有序中板、长句滚花等。二簧里有:长句二簧、秃头二簧、长句二流、南音二流等。另外又发展了一种乙反线,有乙反中板、乙反慢板、乙反南音、乙反滚花之类。采用古调不是把完整一首古调运用到戏里去,而是抽出一段或半截和其它曲调相联合。它还吸收了一些本地的民间曲调,如“龙舟”、“木
In the past four decades, Cantonese opera songs have developed a number of different singing styles. For example, they include the anti-line, the hibiscus, the word-subtracted hibiscus, the orderly board, and the long sentence knurling. There are two spring: two long spring, bald two spring, two long sentences, secondaries and other secondaries. In addition to the development of a B anti-line, there are B anti-board, B anti-Adagio board, B anti-Nanyin, B anti-knurl and the like. The use of the ancient tune is not a complete use of an ancient tune into the play, but to extract a period or half and other melodies combined. It also absorbs some of the local folk tunes, such as ”dragon boat“, ”wood."