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地点:北京·快意斋重读画史(上)刘洪郡:吴老师对中国画史的研究独有心得,唐代是中华民族最为辉煌的一个时期,当代一些理论认为唐代高出宋代,因为唐人的精神气象与谨严的法度已至高度,而宋代则在“畅神达意”方面深入,以苏东坡为代表的文人士大夫把“文人画”的发展推至高峰,成为画坛主流。相比之下,他们认为唐画工艺性强,属匠人之作,宋初的黄休复在《益州名画录》里将“逸格”提到首位,从此成为了画家们苦心孤诣的追求,吴老师对唐画是如何理解的?当时的“文入画”潮流相对有没有疏漏的地方呢?
Location: Beijing · Xing Yi Zhai read the history of painting (on) Liu Hongjun: Wu unique experience of the history of Chinese painting, the Tang Dynasty is the most glorious period of the Chinese nation, some contemporary theory that the Tang Dynasty higher than the Song Dynasty, because the Tang people’s spiritual meteorology and The cautious degree of caution has reached its height, while the Song dynasty went deeper in the field of “God-In-Knowing,” and the literati-and-doctor, represented by Su Dongbo, pushed the development of “literati painting” to the peak and became the mainstream of the painting society. In contrast, they considered that the art of Tang painting was strong, and was a work of artisans. Huang Huifu of the early Song Dynasty referred to “Yi Ge ” as the first place in “The Record of Yizhou” and has since become painstaking artist Pursuit, Wu teacher Tang painting is how to understand? At the time of the “text into the painting,” the trend is relatively omissions?