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为纪念伟大十月社会主义革命六十周年而举办的《沿着列宁的道路》全苏美展,油画部分的题材样体裁体现的同样题材,在以前的大型美展上都是有过的,因此就产生这样一个问题:画家们在题材的处理上有什么新的东西没有呢? 依我们看来,在题材的处理上,出现了一种明显不伺的方式,确切些说,就是突出了绘画的因素,发掘了艺术语言本身的性能。最近几年,过份的纪念碑化、生硬的线描风格、干瘪的简练化和构思规模同作品尺幅的失调逐渐退出画面,与此同时,开
The same subject matter embodied in the theme-like genre in the oil painting part of the “All along the Lenin’s Road” to commemorate the sixtieth anniversary of the Great October Socialist Revolution has taken place in previous large-scale art exhibitions, The question arises: what are the new things the painters do not deal with the subject matter? In our opinion, there appears to be a distinctly unscrupulous way of dealing with the subject matter, to be precise, that is, Factors, explore the performance of the art language itself. In recent years, excessive monumental, blunt line drawing style, shrivered conciseness and conceptual scale with the work of the size of the imbalance gradually out of the picture, at the same time, open