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以电影《顽主》为例,通过分析影片中极度描绘角色的生活状态,表现出了京味喜剧片低到了生活最根部的俗,在看似离奇与荒谬的“低俗”现象之下是时代疯狂发展带给人们狂喜的期待与人们追而不得的尴尬隐忧两相冲击的矛盾情感。再者是从京味喜剧片的台词可见的以王朔为首开始的一派“痞子文学”的兴起,“低俗”的现象可追溯至“大院子弟”身份对京味喜剧片创作的影响,在这群“叛逆者”的低俗现象中也显现出了他们对庙堂之上的世界充满了狂妄的激情,亦带有怅惘的隐忧。
Take the example of film “Wu Zhu” as an example, by analyzing the extreme state of life in the film, it shows that the Beijing-style comedy is down to the most root of life. Under the seemingly bizarre and absurd “vulgar” phenomenon, The era of crazy development to bring people ecstatic expectations and people embarrassed embarrassed hidden two-phase impact of contradictory emotions. Also from the lines of the Beijing-style comedy shows the rise of a group of “ruffian literature” headed by Wang Shuo, “vulgar ” phenomenon can be traced back to the “yard” identity of Beijing flavor comedy creation It also shows in the vulgar phenomena of these “rebels” that they are full of arrogant passion for the world above the temple, with the sad feeling of regret.