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中国画在今天必须面对的问题是:如何把传统文化的意义转换成当代文化的有机部分:如何把区域文化的意义转换成世界多元文化中约有机部分。首先是“传统”。而首先又是对“传统”的“态度”问题。动辄就要纠个明白“要”或是“不要”“传统”的思维定式总难消弥。什么时候我们可以不再用二分对立法简单地来看问题?其实,在“85新潮”有那么一点儿“五四”遗风的激越以后,无论对“传统”取舍如何,大多多了朌“平常心”,“要不要传统”之类自然已不在
The problem that Chinese painting must face today is how to transform the meaning of traditional culture into an organic part of contemporary culture: how to transform the meaning of regional culture into an approximately organic part of multiculturalism in the world. The first is “tradition.” And above all, it is the issue of “traditional” attitude. At any moment, it is always difficult to correct one’s thinking that “wanting” or “not” “traditional” thinking. When we can no longer simply use the dichotomy to look at the issue? Actually, after the “85 New Wave” had a little bit of “the May Fourth” legacy and the exclusion of the “traditional” choice, most of the “ordinary Heart ”,“ or not traditional ”and the like no longer exists