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内蒙古油画以独特的造型语言及色彩在中国油画中独树一帜,对当代内蒙古油画的特点分析是深层发掘少数民族绘画语言研究的前提和必要条件。也是对内蒙古美术发展现状的思考。本文以内蒙古油画特点及“风情化”的问题做出简要的评述。希望在新时期能够给少数民族美术工作者带来借鉴性的思考。
Inner Mongolia oil painting with unique styling language and color is unique in Chinese oil painting, the analysis of the characteristics of contemporary Inner Mongolia oil painting is a prerequisite and necessary condition for deep exploration of ethnic painting language. It is also a reflection on the current situation of art development in Inner Mongolia. This article makes a brief comment on the characteristics of oil painting in Inner Mongolia and the issue of “customs and habits”. We hope that in the new era, we will be able to bring about reference to ethnic minorities art workers.