新教育场域中的女性文艺景观——20世纪20年代燕大女校演剧活动考述

• 作 者: 王翠艳
• 机 构: 中国劳动关系学院文化传播学院,
• 出 处: 文艺研究
• 发表日期: 2015年09期

由于燕京大学对社会福利活动的推崇、课程设计中对戏剧演出的重视,以及北京爱美剧运动的影响等多方面的原因,燕大女校在20世纪20年代形成活跃的戏剧演出氛围并引起主流文化圈的重视。燕大女校的演剧类型,主要集中于欧美戏剧经典和同时代剧作家创作的话剧作品两类。这些演剧活动既推动欧洲戏剧经典的传播和写实主义表演艺术的成熟、提升中国校园戏剧的演剧水平,同时也以其具有明显过渡性的表演形态,为女性解放和新演剧艺术推进的艰难留下真实的历史写照。

Due to Yanjing University respected social welfare activities, curriculum design emphasis on theatrical performances, as well as the impact of the Beijing Ameihua movement and many other reasons, the Yan Da Girls School in the 1920s the formation of an active theater performance atmosphere and cause The mainstream cultural circle attention. The type of drama of the Yan Da Girls’ School is mainly focused on the classic European and American dramas and dramas created by contemporary dramatists. These activities not only promote the spread of classical European drama and the maturity of realist performing arts, but also improve the performance level of Chinese theater and drama, and at the same time promote the performance of women’s liberation and drama with their obvious transitional forms of performance Difficult to leave a true historical portrayal.