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随着电影制作技术的日新月异,影像的表现力几乎成为世界主流商业电影最显著的视觉效果。进入“大片时代”之后的华语电影,对于影像空间近乎偏执的痴迷程度,使得主流商业华语电影的叙事能力一度被弱化、降低,也造成了本土观众对“华语大片”的审美疲劳。在这个意义上,已积累两部陆台合拍片经验的台湾导演陈正道,和热衷编纂“恐怖小故事”的青年编剧任鹏,还有善于用脑的总监制徐峥,携手打造的惊悚悬疑电影《催眠大师》,为
With the ever-changing technology of film production, the expressive power of images has become the most prominent visual effect of mainstream commercial films in the world. After entering the “big movie era”, the Chinese film has been paranoid about the degree of obsession in the video space, which has once weakened and reduced the narrative ability of the mainstream commercial Chinese films, and has also caused the local audience’s aesthetic fatigue on the “Chinese blockbuster” . In this sense, Chen Zhengdao, a Taiwanese director who has accumulated experience in co-production of land and radio stations, and Ren Peng, a young screenwriter who is keen to compile “Terrorist Trilogy”, and Xu Zheng who is good at brain control, Suspense movie “Hypnotist” for