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数字媒体艺术在中国舞台美术界的发展与兴盛,大抵是近10年的事情。记得在2000年的时候,我随中央戏剧学院舞台美术系(以下简称“中戏舞美系”)教学考察组赴韩国汉城中央大学等几所有舞台美术专业的艺术院校考察,看到了对方当时比我们先行一步的当代艺术研究,以及具体的舞美教学应用。当时我们一行还参观了当代韩国艺术馆,一进门厅就被巨大的、几层楼高的媒体装置震惊了,那是韩国世界级的影像艺术家白南准(Nam June Paik,1932—2006年)的作品。我当时的感受就是,不久的将来,数字媒体艺术会在中国舞美界大行其道。
The development and prosperity of digital media art in China’s stage art circles are probably the last 10 years. I remember in the year 2000, I went to visit the art academies of art of the arena at the Central University of Seoul, Korea, with the teaching team of the Department of Theater Art of the Central Academy of Drama (hereinafter referred to as Contemporary Art Studies, one step ahead of us at that time, and the specific application of theatrical teaching. At that time, our delegation also visited the Contemporary Korean Art Museum. The entrance hall was shocked by the huge, several-storey media installation. It was Nam June Paik (1932-2006), Korea’s world-class video artist. s work. My feeling at the time was that in the near future, digital media art will be popular in the Chinese dance world.