论文部分内容阅读
在杨近阶段的水墨作品中,风格形式的探讨已让位于内省气质的准确表达,水墨语言的表达更加注重对生活的直觉感受,而画面的颜色更加纯净。他以对敏感多质的水墨材料的单纯化驾驭实现其精神维度和形式痕迹双重特质的显现,从而达到延续与深化前一时期作品意蕴的目的。
In the ink works of Yang’s recent period, the discussion of the style forms has given accurate expression to the introspective temperament. The expression of ink and wash language pays more attention to the intuition of life and the color of the picture is more pure. He managed to realize the double qualities of the spiritual dimension and the formal trace by simplifying the sensitive and multi-quality ink materials so as to achieve the purpose of extending and deepening the connotation of the previous works.