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六朝时期,仕女画蔚然成为人物画中一独立画科,并出现了专擅此科的著名画家。在整个六朝时期,仕女画风出现了从秀骨清像到面短而艳的转变,这种转变与当时的画家地位和社会风气有着极为密切的关系,本文将对此进行深度解析。
During the Six Dynasties period, the portrait painting became a standalone painting section in portrait painting and a famous painter specializing in this section appeared. Throughout the Six Dynasties, there appeared a shift in style of ladies and gentle ladies from being pure and elegant to a short and vivid one. The transformation was closely related to the status of the painter and the social atmosphere of the time. This article will conduct an in-depth analysis.