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写意花鸟画有其独特的程式语言规范。而在艺术实践中,如何把这些规范与“我”——画家独特的艺术个性结合起来,则是艺术家们面临的普遍问题。本文主要以写意花鸟画来探讨中国画学习的普遍性规律,从一般与个别的关系,学习传统与独创的关系,对“程式”与“我”的互动关系进行论述,进而提出把握程式与“我”的适度原则。
Freehand flowers and birds have their own unique programming language specification. In the practice of art, how to combine these norms with “I”, the artist’s unique artistic personality, is a common problem artists face. This paper mainly discusses the universal laws of learning Chinese painting from the perspective of freehand painting of flowers and birds. It discusses the interaction between “program” and “me” from the relationship between general and individual, the relationship between tradition and originality, "The principle of moderation.