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并非所有山水画都适宜在瓷器上表现。陈平是个例外,这缘于其笔墨语言的简约精练,也因了作者自身与生俱来的平静和从容。他的瓷器山水不仅保持了在纸质材料上的优势,而且平添了温润如玉的质地。我们生活在一个传统文脉几近断裂的年代,高贵而消极的先人和他们精致神秘的生活方式已渐远去,你只能大致勾画出那些历史世界的图象于依稀仿佛之间。画家有画家的方式。陈平的山水画抛却了西方那种在二维空间制造三维幻觉的机巧,而以平面构成来体现山势的深远之境,显现远山近树
Not all landscape paintings are suitable for performance on porcelain. Chen Ping is an exception, due to the concise and concise language of his pen and ink, but also because of the author’s inherent calm and calm. His porcelain landscape not only maintains the advantages of paper materials, but also adds a moist jade texture. We live in a time when the traditional context is nearly broken. The noble and negative ancestors and their delicate and mysterious life style are gone. You can only roughly sketch out the images of those historical worlds on a vague basis. Painter has painter’s way. Chen Ping’s landscape painting cast aside the Western kind of three-dimensional illusion in the two-dimensional space to create the illusion of plane composition to reflect the far-reaching situation of the mountain, showing the recent mountain near the tree