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罗忠镕先生是我国当代最为著名的现代作曲家,他于1986年创作的《钢琴曲三首》是运用序列技法创作,并通过数控进行音乐参数组织的一首“实验性”音乐作品,这三首钢琴曲虽作于八十年代——我国新音乐的起步阶段,但作品所展现的音乐思维与技术对于当今序列音乐创作仍具有影响力。本文为《钢琴曲三首》的技术分析,主要通过对作品中各个音乐参数——音高、节奏、结构、表情、织体等等加以分类研究,力图破解出作品材料构造的“密码”。
Mr. Luo Zhongrong is the most famous contemporary composer in our country. His “Piano Tunes”, created in 1986, is a piece of “experimental” musical composition created by sequence technique and organized by the digital control of musical parameters Although these three pieces of piano music were made in the 1980s, the initial stage of new music in our country, the musical thinking and technique demonstrated in the works still have an influence on the present serial music creation. This article is a technical analysis of “Piano Songs”, mainly through the classification of various music parameters in the works - pitch, rhythm, structure, expression, texture and so on, trying hard to break out the “password ”.